It opens vertically, with a horizontal fold. My only gripe with this is the clamshell orientation. The panels are often busy, but given the daily serializing, one might expect each panel to be fleshed out. Every actor on the page is distinct and lovingly crafted. Aelick’s artwork reminds me of a number of people, but it is also developed enough that those possible influences aren’t so visible as to be distracting. The backdrop of characteristic buildings and locales in Toronto, while just as stylized, convey an eye for details, with the sheer quantity of lines being used demonstrates the high degree of care. Faces are expressive and bold, allowing no doubt how each character is feeling. I can, however, speak to the art, which I think is fantastic.Īelick’s lines are thick, and each character is highly stylized. Having begun here, I can’t necessarily speak to the long game plot of D on’t Fret. There are, of course, ten chapters previous to this edition. Aelick has taken to the Instagram ready daily panel format, using the platform to serialize a narrative through a daily comic. Like many cartoonists as of late, Jordan Reg.
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